Chapter 10 Of Patterns Of World History Essay -- Islam, Muhammad, Quran

The Prophet Muhammad is revered by many as the founder of Islam. As von Sivers, Desnoyers and Stow infer, the Quran and Sunna both depict a theology of Mecca and Medina (Yathrib) as the sacred cities where Mohamed would preach the God’s word to pagans (280). Muhammad’s new Religion Islam became an Arab religion that did not recognize the teaching of Judaism and Christianity (von Sivers, Desnoyers, and Stow 280). Islam is distinct from all other religions due to five religious duties that identify Muslims, the profession of faith, prayer, fasting, alms-giving, and pilgrimage to Mecca (von Sivers, Desnoyers, and Stow 281). Establishing a new religion was not a seamless process as Muhammad had to overcome before a community of Muslims that were mandated to engage in a holy struggle or jihad against those who believe in other Gods (von Sivers Desnoyers and Stow 280). What resulted was the spread of Islam throughout the Middle East as Muhammad’s successors conquered A rabia, Islam and Arab empires were a crucial component in the developments of Islamic Civilizations and Byzantium that were covered in Chapter 10 Patterns of World History, Volume One. The religion of Islam was brought to pagan Arabia by the Prophet Muhammed who spread the word of Allah to Arabs in Mecca and Yathrib. Islam grew to a point where a rift grew among Muslims forming the Sunni and Shiite sects. First came the Umayyad empire and then the Abbasids, representing the first major Arab empires, however their approach to Islam and Conquest differed were significantly different. The final point was the differences between the Russian version of Vladimir I’s conversion to Christianity on behalf of Russians and the Muslim account. In the end, the development of Islam and Arab empires unified the Arab world and began to wield increasing power over European and Asian empires.

Interpersonal Written Assignment Essay Example | Topics and Well Written Essays - 500 words

Interpersonal Written Assignment - Essay Example Initiating is a stage in which the two characters make their first contact in a drive from Chicago University to New York. This stage is restricted to conversation openers, in both initial contacts and in contact with acquaintances (205). In the film, the two characters combine the first step with the second, experimenting. In this stage, we find that the conversation between Sally and Harry is slowly developing as the two gets acquainted to one another. By now, the two knows where the other is headed to and the profession they want to pursue in their new places. Here, we find Harry trying to make a romantic move on Sally who turns him down, and they settle for a platonic friendship. The two characters are fond of mixing these steps as is seen in the way Harry uses gestures to intensify his urge to have Sally as a romantic partner. The two characters part ways on reaching their destination, to mark the termination of their first encounter. The second meeting occurs in an airport 5 years later, and both are engaged. They seem to revisit the first stages before terminating again. This termination stage seems a common phenomenon in their romantic lives. They meet again in the late 80‘s having terminated their relationships, a move which see them through stage of bonding. Here, we find the two making gestures to show the public of their affection. In one part of the film, we find the two exchanging romantic gestures in a dance club, even kissing in public. The public display and declaration of love for each other in the club marks a critical moment for the two love birds. They end up getting intimate, a revisit of integrating stage. However, the intimacy sees them into the circumscribing and stagnation, where they behave to each other with no much stronger feeling. The two partners behave towards each other with no much strong feeling like it was the case there before. They end up through the avoidance stage and

Film History Movie Review Example | Topics and Well Written Essays - 2250 words

Film History - Movie Review Example In a profound research on screen history, one cannot ignore the importance of the genre called the Western and it is a fiction genre which has grown to represent the culture of western society. The westerns were the most common genre in Hollywood one time and between the 1930s and the mid-1960s it was the most dominant Hollywood film or an archetypical genre. "To say a film is a western is immediately to say that it shares some indefinable 'X' with other films we call westerns. In addition, it provides us with a body of films to which our film can be usefully compared..." (Grant 2003. P. 3). Arguably, it was the most significant American story form of the twentieth century, though the case is greatly changed today and it has become unlikely to find a western now. Thus, the influence, themes, and myths central to the classic Hollywood western, along with these movies, have disappeared, though the imprints of the genre can still be seen in the modern box-office success stories. Therefo re, an analysis of the western genre has great significance today. "Western themes and myths are still alive and well, but they have migrated to other genres, most notably, science fiction and action movies A look at the western today is not a revisiting of a dying genre, but an examination of a type of film whose shadow still falls across the theatre screens of North America." (The History of Film). This paper focuses on a comparative analysis of two modern western genre films in order to comprehend the significant elements and the history of the genre. The Western Genre: Film texts The popularity of the western genre in the twentieth century may be understood as the result of their specific characteristics which are reflected in the modern blockbuster successes. The western, which was once a Hollywood staple, has fallen on hard times. "Its complex and rich intertwining of a frontier setting, male action and themes of national identity and history no more sustains a viable genre, and the framework for analysing it through the oppositions of civilization and wilderness, the garden and the desert, has been challenged." (Geraghty 2007. P. 136). Edwin S. Porter's The Great Train Robbery (1903), which is the first western genre film, illustrates the essential elements of the genre and by 1929s the western became a generic clip. The Searchers (1956) by John Ford is an illustrious example of the genre type and the hero's status as a pathological outsider